It is a ridiculous, blurred story caused by a car accident. This story is also about the software itself. The author tried to break away from CG technology and find a new language in the recording software interface itself. The functional patterns in the interface have been rewritten into other poetic metaphors, and the tools themselves have become the main body of art
Note: The text above was written by the Artist. No modification was made by COCA.
Currently lives and works between Shanghai and London. I graduated from the Central Academy of Fine Arts（China） with a B.A. degree in sculpture in 2017 and from the Royal College of Art with an M.A. degree in 2019. Wang’s practice is rooted in his unique observation and understanding of the Internet and the virtual world, exploring the threshold values between virtuality and reality, and using 3D software to imitate the absurdity in the physical world. By using narrative computer images, he copies and pastes between virtual and real spaces.
Recent exhibitions include: "Kung Fu or Disco?", Wooton Gallery, Changsha, Hunan, China, 2020; Shanghai “Illusive Particles”, MadeIn Gallery, Shanghai, China, 2020; “Art Nova 100”, Guardian Art Center, Beijing, China, 2019; “Fragmentation”, The Coningsby Gallery, London, United Kingdom, 2019; “Material Statement”, Dyson Gallery, Royal College of Art, London, United Kingdom, 2019 and etc.; Wang Ziquan was shortlisted for the Ashurst Emerging Arti