O.T. 1041 2021

In my artistic work I have been researching for almost ten years in the areas of drawing, painting, sculpture, installation, projection and light as an artistic medium.

I focus on human comprehension, i.e. the haptic perception of the artwork and the comprehensibility of space and spatiality. Virtual space and digital tools form necessary and exciting means, i.e. an essential part of my artistic work. But in contrast to the industrial, digital transformation, I perform multi-causal and multi-dimensional transformations of the digital signs into the real experienceable space and back again.

Through these mutual transformations of analog and digital worlds, tools and approaches, I connect art and technology, research and innovation, interdisciplinarity and immersion: always with a view to the tangibility of both worlds, with the whole body and all the senses.

O.T. 1030 2020

In my artistic work I have been researching for almost ten years in the areas of drawing, painting, sculpture, installation, projection and light as an artistic medium.

I focus on human comprehension, i.e. the haptic perception of the artwork and the comprehensibility of space and spatiality. Virtual space and digital tools form necessary and exciting means, i.e. an essential part of my artistic work. But in contrast to the industrial, digital transformation, I perform multi-causal and multi-dimensional transformations of the digital signs into the real experienceable space and back again.

Through these mutual transformations of analog and digital worlds, tools and approaches, I connect art and technology, research and innovation, interdisciplinarity and immersion: always with a view to the tangibility of both worlds, with the whole body and all the senses.

O.T. 1036 2020

In my artistic work I have been researching for almost ten years in the areas of drawing, painting, sculpture, installation, projection and light as an artistic medium.

I focus on human comprehension, i.e. the haptic perception of the artwork and the comprehensibility of space and spatiality. Virtual space and digital tools form necessary and exciting means, i.e. an essential part of my artistic work. But in contrast to the industrial, digital transformation, I perform multi-causal and multi-dimensional transformations of the digital signs into the real experienceable space and back again.

Through these mutual transformations of analog and digital worlds, tools and approaches, I connect art and technology, research and innovation, interdisciplinarity and immersion: always with a view to the tangibility of both worlds, with the whole body and all the senses.

Note: The text above was written by the Artist. No modification was made by COCA.

Stefan Reiss

Germany

http://www.stefanreiss.com/portfolio

Stefan Reiss studied Fine Arts / Sculpture at Kunsthochschule Berlin-Weißensee and attended the masterclass at Prof. Inge Mahn and Prof. Berndt Wilde. He's member of the Royal Society of Sculptors (London, UK) and lives and works in Berlin, Germany.

He's winner of the CODA Awards Merit Award, Trades District Public Art Project in Bloomington (USA), LIT Awards Merit Award, SPACE & Vision Redbridge Culture & Leisure commission in London, N-Ergie Audience Award at Die Blaue Nacht and was shortlisted for Lumen Prize and LYNX Prize.

His works were shown in international exhibitions at Amsterdam Light Festival (NL), Digital Public Art Festival "Light Up Bashu" Chengdu (CN), SPACE & Vision Redbridge Digital Public Art exhibition (UK), Museum of Contemporary Art Shanghai (CN), Today Art Museum Beijing (CN), Modern Art Museum Shanghai (CN), Leeds Digital Festival (UK), Aesthetica Art Prize (UK), LYNX Prize (IT), European Media Art Festival, Die Blaue Nacht and Re:publica Campus (GER).

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