Behind the curtains 2020
I still vividly remember how the porch in the old grandparents’ house looked like; an empty table standing in the corner; too tall (as my child’s eyes had seen at that time) and uncomfortable red-felted chairs. Back then, I was fascinated by the curtains of vertical braids, which I kept trying to disassemble by wrapping them around my fingers. Curtains – now palely yellowed from running time – covered windows that have never opened. Except for one in the corner, through which bees gathered from a neighbour’s hive; sometimes they wandered inside and their stubborn bodies landed on the windowsill for everlasting sleep.
Raw jute on old porch window
68 x 24 cm
Pressing down to earth /
A soaked soldier /
dirty waters hang beneath his head. Still waiting /
for the oncoming rain and until he returns /
from home – to home
Decayed fabrics of Swedish military tent
Note: The text above was written by the Artist. No modification was made by COCA.
Visual artist based in Vilnius, Lithuania (b. 1994).
The method on which she relies on in her artistic practice – creation of artwork as an object, which is constructed as a source of reflections on cultural and philosophical contexts. She works with experimental painting and mosaic techniques which often gains a form of an installation – focusing on search for an interdisciplinary expression while playing with aspect of materiality.
The spectrum of materials used in the creative process spans from organic matter (minerals, earths, self- made pigments) to artificial decayed objects from urban environment. The significance of the material in her work is inspired by artists working with raw materials – such as Antoni Tàpies, Alberto Burri and Anselm Kiefer. This is where Arte Povera movement resonates: not only does the work of art grows through the formal, plastic properties, but an important moment is the symbolism of the material and its’ poverty in a sense of material value.