In The Midst of Life: Sumarah 2019

Will it? is a reminder as well as a question that doesn't really need an absolute answer, it is a mirror before oneself when despair picks up. Questioning, what other stories will the morning sun bring. Among the 'possibilities'. Between 'silence'. Between the 'void'. Those standing next to 'death' vulnerable… What they say – a picture of loneliness!
If sincerity can truly be represented by the simplicity of the word accept, then have we been able to respond to it without strings attached behind it?
Then, can you? We are fighting for sincerity? Is it possible to strive for civility?

Malapetaka Penuh Mekar dan Sumber Kepuasan Yang Tak Pernah Gagal (Series) 2021

It breaks the silence to become, with a constant season of despair, with the effort and hope of a portion, nothing less and nothing more. Humans (including oneself) are something that should be transcended.

Malapetaka Penuh Mekar dan Sumber Kepuasan Yang Tak Pernah Gagal 2021

It breaks the silence to become, with a constant season of despair, with the effort and hope of a portion, nothing less and nothing more. Humans (including oneself) are something that should be transcended.

*Malapetaka Penuh Mekar dan Sumber Kepuasan Yang Tak Pernah Gagal (Indonesian languange).
In english: calamities bloom and an unfailing source of gratification

Is a Series painting still I work too, its about human all human are wrestling with the biggest question of all; what could I do.

Note: The text above was written by the Artist. No modification was made by COCA.

Romantika Gema Merdeka

Indonesia

https://www.linkedin.com/in/romantikagm

I am a abstract painter that fuses my life experiences with art history. My paintings are a declaration to the the human emotion, I paint a moment, a human experience, and an emotional dialogue that transcends culture, religion and time itself, like Rothko, I’m interested only in expressing basic human emotions—tragedy, ecstasy, doom but with random sentences sometimes on the canvas, like the question of what the meaning of life is, inspired by life itself. I use acrylics-based pigments, because acrylics dry very quickly, so this didn't take very long if I making some colours to applying them to wood panels that I prepare. My chiaroscuro technique inspired on some old renaissance painting colour, I used 2-3 layers of paint, because I wanted to be really strong and opaque – not allowing any of the white of the canvas to show through.

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