Rihards Vitols — COCA PROJECT selected artist | open call residency Italy

Mezs 2022

Is a speculative look into plausible new tree species that could cover the earth in the future to maintain natural balance. These new species are the result of evolution of existing ones and mutation between them using a machine learning algorithm. These trees have qualities from multiple trees from different environments. That allows them to be more resilient to future environments and in some cases even migrate away from the environment if it gets too harsh.
The art work engages with my growing interest in the application of AI and forests. Combining data collection of tree species from different environments (deserts, rain-forests, tundra, etc) and Machine Learning image-making techniques styleGans2. The result is a fictional collection of trees that proposes and simulates a future alteration of the planet biodiversity, with results that are often unimaginable, abstract and absurd.
https://www.mezs.ai/#/

Woodpecker 2016

In my ongoing research, I am investigating the feasibility of substituting certain bird species with artificial counterparts. This exploration is motivated by concerns regarding potential significant declines in bird populations in the near future. The idea is to assess whether artificial birds could serve as a viable alternative to help maintain the natural balance within forest ecosystems. While this concept may initially seem speculative, it is rooted in scientific studies concerning insect-eating plants, as well as the potential consequences of bird species extinction and their implications for forest ecosystems.
I embarked on an intriguing experiment to investigate the potential of artificial bird species in deterring plant-eating insects and maintaining ecological balance in a forest. In 2016, I installed a total of 30 custom-made woodpeckers in a forest.

Note: The text above was written by the Artist. No modification was made by COCA.

Rihards Vitols

Latvia

https://www.vitols.xyz/

I received my Ph.D. from the University of Washington in Digital Art and Experimental Media. My dissertation was about the techno-ecologies concept that impels the integrated view on the interconnection of technology and ecology in providing the needed resources in the present world. My artistic practice is intended to comment on the effects of the Anthropocene on the environment, where I am creating artworks about relationships with nature, the environment, and technology. I am driven to design speculative devices for different environments and enjoy the unknown results and interactions with environments. By utilizing scientific methodology, I visualize the results in objects, prints, and video formats that are represented as artifacts of events. I use science not only to support concepts of my artworks, but also I use scientific methods to conduct experiments and document and visualize the outcomes of them. I see my role as a mediator between my work and the environment. I am driven by unknown results and wish to find something new. At the same time, I am enjoying the process of my experiments while performing them.
I have participated in several exhibitions: 2019 – 2021 Austrian Museum of Applied Arts, Design Lab; 2017–1018 The Exhibition Hall Arsenals of the Latvian National Museum of Art “The Future State”; 100 in Latvian Art “Daugavpils Mark Rothko Art Centre”; 2015 Maison du Design “Transformative Ecologies” Belgium;2017 “Dutch Design Week” and Transnatural Art Design “Robotonica”; 2016 MU “Weather or Not”.  

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