Landscap. 2017
The title explains itself. The starting point of the works Precious Time is the fading moment, the endless nature of it is depicted by the complex spatiality of the objects. Just think of it, how much information we can derive when we recollect the smell of shower, the creasing of a material or a light reflection on the wall – and the given time unit can only be fraction of this. The Precious Time takes further everything, that Judit Loczi has established in her artic form language in her two previous works in The Circle Around Me and in the Weaker. These new works bravely step into the third dimension, and they invade the exhibition are instantly, they like adaptive organic items live on the ground, leaning over the wall, or pined on the edge of a postament. (text by Marta Eva Frank)
Promenade in Nice. 2018
The title explains itself. The starting point of the works Precious Time is the fading moment, the endless nature of it is depicted by the complex spatiality of the objects. Just think of it, how much information we can derive when we recollect the smell of shower, the creasing of a material or a light reflection on the wall – and the given time unit can only be fraction of this. The Precious Time takes further everything, that Judit Loczi has established in her artic form language in her two previous works in The Circle Around Me and in the Weaker. These new works bravely step into the third dimension, and they invade the exhibition are instantly, they like adaptive organic items live on the ground, leaning over the wall, or pined on the edge of a postament. (text by Marta Eva Frank)
Berta’s dress. 2017
The title explains itself. The starting point of the works Precious Time is the fading moment, the endless nature of it is depicted by the complex spatiality of the objects. Just think of it, how much information we can derive when we recollect the smell of shower, the creasing of a material or a light reflection on the wall – and the given time unit can only be fraction of this. The Precious Time takes further everything, that Judit Loczi has established in her artic form language in her two previous works in The Circle Around Me and in the Weaker. These new works bravely step into the third dimension, and they invade the exhibition are instantly, they like adaptive organic items live on the ground, leaning over the wall, or pined on the edge of a postament. (text by Marta Eva Frank)
Note: The text above was written by the Artist. No modification was made by C.O.C.A.
Judit Horvath Loczi
Hungary
She is familiar within the depths of abstract painting and also in assemblages. Besides the classical materials she likes to discover and use extreme things. In her artworks she likes to explore the colored reflections of light and shadow. As inspiration she uses always a life situation or a personal story which she extremely abstracts and visualizes with the basic geometrical forms. That is the way how she processes the events of her life, how she releases herself from the tensions, how she reminds herself of the happy moments. Every artwork is a page of a diary. In the past few years a sort of settling can be experienced in her works. Her new series of art contain shaped canvases, laser-cutted wood panels therefore they construct a path between two-dimensional and three-dimensional space