MONOMYTH 2020
Sound installation, 8 speakers, pink gel, chains, floor isolation panels, variable dimensions.
Audio tracks: white noise, texts written by the artist, texts from Heroes, David. Bowie + No more heroes anymore,
The Stranglers + This is a film, Iggy Pop; remixed track from album 0000000002, 999999999;
remixed track from Matteo Salvini’s speech at the Senate, 20.08.2019, remixed track from breathing tutorial
for spasmodic dysphonia.
Hold On, The Koppel Project, London, 2020.
LINK: https://vimeo.com/396179664
NEVER PRESENT IN POSITION, ONLY EVER IN PASSING 2019
Site-specific installation, 2 channel video projection, 4 channel sound, directional speakers, monitor speakers, holographic screen, blackout mirror film.
Audio tracks: six texts written by the artist (from directional speakers), soundtrack (from monitor speakers)
MFA Goldsmiths Degree Show, London, 2019.
LINK: https://vimeo.com/484512430
CHAPTER X 2018
Audio and video installation, digital prints, variable dimensions.
Goldsmiths College, London, 2018.
LINK: https://vimeo.com/484520281
Note: The text above was written by the Artist. No modification was made by COCA.
Irene Adorni
Italy
Irene Adorni was born in Parma in 1990. She studied at the Academy of Fine Arts in Bologna, graduating in Painting in 2013. She then moved to London, where she completed an MFA in Fine Art at Goldsmiths, University of London in 2019. She currently lives and works in Bologna. Her work combines different media such as video, sound, and writing to create immersive installations, in which the interaction of the public becomes a fundamental and constitutive element of the work itself. Her research is based on a reflection on the relationship between space and bodies, which embody the potentiality of the moment and go beyond their physicality, as Adorni highlights above all the incorporeal conditions of corporeality. The chaos in which we are immersed every day is another important element in her work. The artist and the audience are together part of the chaos and with their own movement they reorganise the stimuli, choosing how to compose them in order to build an ever-changing narrative.