Angel 001 2019

This work profoundly influenced the artist's work, being the culmination of many transformations and philosophical ideas that are significant for the creator of the picture. The painting depicts an angel, in whose hands he holds the fruit from the tree of knowledge of good and evil. He holds it in front of him, asking how ready a person is to take responsibility for the fruit that he can offer him. Knowledge is responsible to itself. When a person receives knowledge, it transforms him. All knowledge is a responsibility. The angel asks whether the person himself is ready to take responsibility, to move, transforming in the direction of maturity of life, maturity of the individual, and responsibility to society. People are often looking for excuses and looking for remorse, looking for someone who will forgive them for their mistakes. It's like a child seeking forgiveness from a parent. The angel asks whether a person is ready to grow up, in the sense of not blaming himself for anything,

OUTSIDE 2020

A boundary is a necessary condition for the existence of something. Boundaries are necessary in order to separate one from the other, boundaries are necessary for the space itself in order to place an infinite number of objects in it. Any object that is located in space must be delineated by a border, and have an appearance or shape.
This work is absolutely abstract. I tried not to create any specific visual images, but I wanted to show how the border works in its abstract sense. No matter what we do, no matter how we avoid any forms and borders, we still depend on it, and we will endlessly create and copy. From this, I can conclude as a creator that borders are a problem for our society, but at the same time they are also our tool for creating a solid fundamental reality, they are necessary for integrity and for the possibility of growth.

Red 2020

This work is about transformation in a person at various levels. What is a pregnant woman? The body during pregnancy is transformed in a divine way. From the void, creating a new body, the female body is transformed physically, changing its shape and chemical composition, transforming the personality of a woman. A woman is transformed on a biological, mental, and physical level. It is difficult to imagine a more vivid example of the transformation and response of the human body to the needs of life. In the center of the picture, the female body is depicted, which is located on the periphery of all the compositional centers. The center of the composition in this picture is the embryo, which is located in her stomach. The body is placed on the periphery of contrasts, and to enhance the images of extremes, the main two colors are used-red and blue, as the most contrasting colors to each other. The two main powers of man are the power of life and the power of death.

Note: The text above was written by the Artist. No modification was made by COCA.

Eva Akopyan

Russia

https://www.singulart.com/en/artist/eva-akopian-8303?previewToken=biR_RwLOpHJ9gt2U-P7mTrTZIELV0ikoH2nobDFr3qM%3D.eyJpZCI6ODMwM30%3D

Hakobyan Eva Gurgenovna is an aspiring abstract painter, works in the technique of Neo pointillism. She was born on May 3, 1993 in Armenia, in the small town of Artik, at the foot of Mount Aragats. Parents are simple workers: mom is a programmer, dad is a design engineer. Inspired by the paintings of her uncle, a professional painter, she knew from the age of 6 that she would become an artist. After the collapse of the Soviet Union, the family was forced to move from Armenia to Russia.
She graduated from art school in Stavropol.
From 2006 to 2010 she studied at the art school at the Faculty of Design of Architectural Spatial Environment. The theme became the diploma project: an observation deck as a single space revealing nature and man. After graduating from college, she worked as an artist by profession. She began her professional career with commissioned portraits.
The composition is dynamic and multifaceted; also, the master, in his works, pays special attention to forms.

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