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“Voodoo Baroque”. 2016


Through my work I would like to create moments in time in which our imagination overlaps reality. I am not necessarily concerned with change, but rather with the act of preserving – with the practice of looking beneath the surface to what is inside of things, perhaps even probing into unsolvable mysteries.
These mysteries are like a puzzle that is never complete. Collages give me the freedom to connect opposing realities, thus giving life to wholly different and freely interpretable meanings. The visual contents describe (relate), but they refuse to provide instant clarification. There is a blank space between that which is shown and the story that the observer now must construct for themselves. I often work with subject matter that is so “unimportant” that it doesn’t seem to be worth remembering; but to forget it would turn us into different people. Subtle understanding of opposites is what life is about. The most important of these are the serious, weighty things, which can be found, logically enough, on the ground.


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“Us And Them”. 2017


“Doubt as sin. — Christianity has done its utmost to close the circle and declared even doubt to be sin. One is supposed to be cast into belief without reason, by a miracle…
What is wanted are blindness and intoxication and an eternal song over the waves in which reason has drowned.”
― Friedrich Nietzsche, Daybreak: Thoughts on the Prejudices of Morality

These words and phrases I’ve found during my research in the Internet, some religious, others surpressing and speaking in general – stupid words adressed to women.
I’ve stitched these words with horse hair. The horse – the human reflection for to be wild, free and beautiful.


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“Searching For The Place The Eyes Can’t See”. 2013


Ultimately, I am not interested in things I fully understand. Knowing one has happened upon the right things is more important than understanding them. There are truths that lie beneath the surface of the images, truths that only reveal themselves sporadically, like the Northern Lights in a winter sky. Things we don’t feel, we forget. Through my work I would like to create moments in time in which our imagination overlaps reality. These are the moments in which we are alive.


Note: The text above was written by the Artist. No modification was made by C.O.C.A.


Anne Herzbluth

Germany


What I am trying to do is to leave my mark behind. I am here, I fail, I am happy, I am sad. I have fears and am full of hope. I have an idea, I pursue it and that’s why I’m working. Ultimately, I am not interested in things I fully understand. Knowing one has happened upon the right things is more important than understanding them. There are truths that lie beneath the surface of the images, truths that only reveal themselves sporadically, like the Northern Lights in a winter sky. Things we don’t feel, we forget. Through my work I would like to create moments in time in which our imagination overlaps reality. These are the moments in which we are alive. Exhibtitons national and internationally, among others the Art Karlsruhe, Kunsthal Charlottenborg, Copenhagen and the Venice Bienal.


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