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Berlin. 2009


In my photos, I depict architectural details that have been shaped into clear, geometric form. I search for various textures and factures in cities and in modern, contemporary architecture, which either remain clearly visible in my photos, or disappear completely. 
In details, which have been extracted form the whole, the walls, cables and shadows transform into geometric shapes.
I am interested not only in space, but also in the proportions of the chosen detail and the original whole, the way things are related to one another. These can, at the same time, also alter the perception of space.
The accentuated details are sometimes the walls of multiple storey buildings, which are nevertheless small in comparison to the whole, at other times, enlargements on the prints of fragments that are only a few centimeters in the reality. I compose the photos in the viewfinder of the camera without any subsequent modifications or interventions.


Image

Paris,Montmartre. 2011


In my photos, I depict architectural details that have been shaped into clear, geometric form. I search for various textures and factures in cities and in modern, contemporary architecture, which either remain clearly visible in my photos, or disappear completely. 
In details, which have been extracted form the whole, the walls, cables and shadows transform into geometric shapes.
I am interested not only in space, but also in the proportions of the chosen detail and the original whole, the way things are related to one another. These can, at the same time, also alter the perception of space.
The accentuated details are sometimes the walls of multiple storey buildings, which are nevertheless small in comparison to the whole, at other times, enlargements on the prints of fragments that are only a few centimeters in the reality. I compose the photos in the viewfinder of the camera without any subsequent modifications or interventions.


Image

Nizhny Novgorod. 2015


In my photos, I depict architectural details that have been shaped into clear, geometric form. I search for various textures and factures in cities and in modern, contemporary architecture, which either remain clearly visible in my photos, or disappear completely. 
In details, which have been extracted form the whole, the walls, cables and shadows transform into geometric shapes.
I am interested not only in space, but also in the proportions of the chosen detail and the original whole, the way things are related to one another. These can, at the same time, also alter the perception of space.
The accentuated details are sometimes the walls of multiple storey buildings, which are nevertheless small in comparison to the whole, at other times, enlargements on the prints of fragments that are only a few centimeters in the reality. I compose the photos in the viewfinder of the camera without any subsequent modifications or interventions.


Note: The text above was written by the Artist. No modification was made by C.O.C.A.


Aniko Robitz

Hungary


Education 2008–2011 Zsigmond Király Egyetem (ZsKF University) Faculty of Arts – Film studies 2005–2006 Szellemkép School of Photography – analog photography + darkroom Group & solo exhibitions 2017 
 Abstractions, Fotogalerie Wien, Vienna (Austria)
 Taking out – with Dezső László-Kiss, Liget Gallery, Budapest (Hungary) 2016 
Echoes: City, Society, Conflict & Self in Hungarian Photography, Alma Gallery, New York Triangle, TOBE Galéria, Budapest 
Exhibition at Korunk Gallery, Cluj (Romania)
 Supreme – with Minyó Szert Károly, Godot Gallery, Budapest 2015 
Circles – Három Hét Gallery, Budapest 2014
 LACDA 2014 Top 40, Los Angeles Center for Digital Art, Los Angeles
 Space As Space, Vasarely Museum, Budapest
 LACDA Ten Years Anniversary Retrospective, Los Angeles Center for Digital Art


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